The artist, who was born in 1977 in Assiut, Egypt, and now lives in Basel and Cairo, has created a multifaceted oeuvre in recent years encompassing film, photography, slide projections, installations, and works on paper. At the center of all of his works are structures of seeing, remembering, and archiving.
Many of Basim Magdy’s works, which are based on observations of reality, are akin to surreal tales full of cryptic humor. With paintings and assemblies boasting psychedelic-looking colors, the artist investigates collective utopias and formulates his doubts in dogmas and ideologies. At the same time, he appeals to the viewer’s imagination and reveals alternative realities and social blueprints. “Maybe I’m more interested in issues that are not particularly pleasant,” he says about his artistic production, “but I have to say that my favourite reaction to the work I make is when people look at it and smile or laugh.”
Basim Magdy has participated in numerous international group exhibitions, including the Sharjah and Istanbul Biennials in 2013 and La Biennale de Montreal and MEDIACITY Seoul Biennial in 2014. Currently, he is prominently represented in the highly regarded show “Surround Audience: New Museum Triennial 2015” in New York and the exhibition “Lest The Two Seas Meet” at the Museum of Modern Art in Warsaw.
Find out more on ArtMag online.
The award “Artist of the Year” goes to contemporary artists who have created a substantial body of work, and in which works on paper and/or photography play a role. The award focuses on artistic positions that deal with social themes in an individual way and take new formal paths. At the same time, the award honors impetus emanating from new art centers of Africa, Asia, South America and Eastern Europe. It is not a purely financial award, but firmly embedded in Deutsche Bank’s art program. It supports new positions and promotes the acquisition of works for the corporate collection. The highlight is the “Artist of the Year” solo exhibition at the Deutsche Bank KunstHalle, which is accompanied by a major catalogue. Subsequently, the show travels on to other international venues. The artist is also invited to design a special edition for the KunstHalle. Artists are chosen within the framework of the Global Art Advisory Council, which is comprised of renowned curators such as Okwui Enwezor, Hou Hanru, Udo Kittelmann and Victoria Noorthoorn.
From March 26 the Deutsche Bank KunstHalle is presenting “A Vulnerable Narrator” the first solo show by Koki Tanaka in Europe. The Japanese artist references the history of “art activism” and views his work as a gentle yet sustainable approach to this movement. The exhibition, consisting of video installations, large scale photographs and drawings, is a laboratory of sorts, one that ties together a decade’s worth of projects, ideas, and documents.
After Wangechi Mutu (2010), Yto Barrada (2011), Roman Ondák (2012), and Imran Qureshi (2013), Victor Man is Deutsche Bank's fifth "Artist of the Year." The award is given on the recommendation of the Deutsche Bank Global Art Advisory Council, which consists of the renowned curators Okwui Enwezor, Hou Hanru, Udo Kittelmann, and Victoria Noorthoorn. The focus is on artists who have already amassed a substantial oeuvre and have blazed new trails both formally and in terms of content.
With their choice of the Romanian artist, Deutsche Bank has selected one of the most interesting protagonists in the contemporary art scene. Victor Man exhibited his seemingly mysterious works in spring 2014 at the Deutsche Bank KunstHalle in Berlin.
Deutsche Bank has selected Imran Qureshi, one of the most important figures on the contemporary Pakistani art scene, as its 2013 "Artist of the Year." Based on a recommendation from the Deutsche Bank Global Art Advisory Council, which includes internationally renowned curators Okwui Enwezor, Hou Hanru, Udo Kittelmann, and Victoria Noorthoorn, the bank is proud to honour an auspicious artist who addresses social issues in an individual way.
Nomination of Roman Ondák to the Deutsche Bank "artist of the year 2012" during Frieze/London. From April to June 2012 the Deutsche Guggenheim was presenting a solo exhibition with his works.
Taking the situation in her home city of Tangier as a point of departure, the Moroccan artist reflects on constantly changing boundaries in culture, economics, and politics and on their repercussions. Following the premiere at the Deutsche Guggenheim in Berlin, Barrada's solo show 'Riffs' will be on view at WIELS in Brussels from the end of September 2011.
Mutu, who has been living in New York for a long time, counters the notion of an “African” artist drawing from her native culture with images from multiple perspectives. Like many “diaspora artists,” she combines elements of her native culture with those of the West.